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But I’m not willing to sacrifice real body language or intensity just to get the close up of a cock going in and out of the same hole over and over again. Often when I remind a performer to keep his arms around his partner during sex, he’ll say, “But I was trying not to block the hardcore shot.” Because they’ve all had it drilled into their heads that the hardcore shot must be visible at all times. Sometimes it’s just a matter of breaking performers of what I call “bad porn habits,” where they’re so used to having fake, passionless sex that they default into it like a dance routine they’ve performed a hundred times. I’m known for capturing “real sex,” but at the same time I’m not a documentary filmmaker – I shoot scripted movies where the sex has to go with the storyline, and that often requires quite a bit of directing. So whether I’m shooting a lesbian film, straight, or gay, the sex scene should always communicate passion, authentic body language and real emotion to the viewer. Nica Noelle: My philosophy is the same regardless of the gender or sexual orientation of the performers, because I think certain themes are fundamentally human and not specific to men or women.
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Is there a difference to your approach? Are there different kinds of considerations you make in light of the different audiences? The Sword: Tell me about how you make gay porn versus straight or lesbian porn. Find out who would be in her dream cast, who her inspirations are, and who is easier to direct in her controversial films: Gay guys or straight guys? After the success of His Mother’s Lover and A Priest’s Confession, director Nica Noelle has made a big mark in gay porn in a short amount of time.